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05

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The Simpsons TV Show is a full-length animated Christmas special in 1989, The Simpsons went on to become one of the most daring network television series of the 1990s, skewering pop culture, politics, and society in general at every opportunity. Anchored by the tales of its five-member, four-fingered, dysfunctional nuclear family, the series grew to provide more and more story lines for its wealth of rich supporting characters.

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LISA FINDS A SURPRISING BRANCH OF HER FAMILY TREE ON AN ALL-NEW “THE SIMPSONS” SUNDAY, FEBRUARY 21, ON FOX

Wren T. Brown (”Curb Your Enthusiasm”) Guest-Voices

When Miss Hoover asks her students to research their family history, Lisa is horrified to discover that most of her ancestors were bad people – a motley crew of horse thieves and deadbeats. But while rummaging through the attic, Lisa happens upon a diary kept by her ancestor, Eliza Simpson. As Eliza’s story unfolds, Lisa learns that her family was part of the Underground Railroad, a group that helped slaves escape to freedom. Eliza recounts liberating a slave named Virgil (guest voice Brown), but when Lisa presents her findings at school, some of her classmates refute it, leaving Lisa determined to exonerate her family’s name in the all-new “The Color Yellow” episode of THE SIMPSONS airing Sunday, Feb. 21 (8:00-8:30 PM ET/PT) on FOX. (SI-2106) (TV-PG L, V)

Voice Cast: Dan Castellaneta as Homer Simpson; Julie Kavner as Marge Simpson; Nancy Cartwright as Bart Simpson; Yeardley Smith as Lisa Simpson; Hank Azaria as Moe; Harry Shearer as Skinner; Pamela Haden as Milhouse; Tress MacNeille as Dolph

Guest Voice Cast: Wren T. Brown as Daniel

Watch “The Color Yellow” Episode Online

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Since I started writing for this site, I’ve had the pleasure of seeing episodes of shows like Dexter and Leverage before anyone else. I’ve had the pleasure of conversing with some of the industry’s most interesting characters. But now I know I’ve truly made it: I got to watch a Super Bowl ad before the rest of the world. Who wants to touch me?


This year’s Super Bowl will, of course, feature new commercials for Coca-Cola including a rather interesting one featuring that mecca of brand advertising, The Simpsons.

It actually takes quite an interesting turn from what you might expect. It’s not all that silly. It’s actually quite sad and even sullen, compared to ads featuring the show’s characters in campaigns for Butterfinger and KFC. Watch it for during the game, even if you’re like me and you actually watch the Super Bowl for the actual Super Bowl.

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This episode featured two surprises, though both rather short-lived. The band Coldplay appeared as themselves, and the winning character from the “Best. Character. Ever” contest was revealed. It’s so much excitement, even a million dollars couldn’t top it!

The animation looked a little more awkward than in most weeks for some reason. It’s as if the characters were drawn in a slightly more abstract way, similar to Groening’s ‘Life in Hell’ comic strip. There was a bit more distortion in their features than we’re used to seeing. ‘The Simpsons’ has become a very crisp production.


The main plot this week involved Homer ditching Marge at a wedding because a fortune cookie told him he would be lucky that day. From there, things went into the realm of the absurd at a breakneck pace.

Some of the jokes worked very well. I appreciated Homer’s attempts to speed the line up by hemming and hawing about how long the lines are. That always seems to work, right? The lengths he went to in order to hide the fact that he’d just won a million dollar lottery seemed a bit crazy. And while I know it’s a cartoon, there’s no way he burned through however much money he did get — after Uncle Sam got his check to start a committee to figure out what to do with the money — in such a short span of time.

The Coldplay appearance was completely random, as was the contest winner. After Bart found out about the money, Homer spent a lot of it on bizarre things the two of them could do together, including a concert by Coldplay just for them. I’m sorry, but Coldplay?! That’s the band they’d want to choose if they could get any band at all?

It was an even bigger slap in the face to the contest winner. Peggy Black created Ricardo Bomba as a new ladies man type of figure, so the writers had him drive into a cliff wall and subsequent fiery explosion right away upon his first appearance. He didn’t even get to finish what was, I guess, going to be his catchprase.

So this contest, which was supposed to be in appreciation to the fans, wrapped up with the producers basically flipping the fans the bird and saying “YOU DON’T GET TO CREATE SIMPSONS CHARACTERS! SEE WHAT HAPPENS WHEN YOU DO!?” I’m probably reading too much into it, and it is still possible that Ricardo could return, but what was the point of the contest if that was all you were going to do? Unless that’s the joke? If I were Peggy Black, I wouldn’t think it was all that funny.

I guess I’m in a bad mood tonight or something, because a lot of things about this episode bothered me, and I think ‘The Simpsons’ has been having a pretty strong season for the most part. This one just didn’t hold together as strongly as most of the prior ones.

It was appropriate that Marge didn’t even care that Homer ditched her at their wedding speech when he was buying the lottery ticket. Of course it wouldn’t matter if you won a million dollars in the lottery doing it. I was impressed that Homer seemed to have more advanced cognitive abilities, albeit misguided, in this episode than he generally does anymore.

And while I appreciated his attempts to hide his fortune by simply buying his family the things they want and need on an anonymous basis, even that was taken too far. Hell, it started with a random washing machine in the park, and Marge didn’t even question it being there. Add to that the more surreal things like Lisa’s planetarium light show coming up out of the floor in her room and you’ve got the dumbest family ever. Marge even believed a note from “the gummint.”

Download “Million Dollar Maybe” Episode here

 

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Wonder why there’s no Family Guy
and American Dad tonight? FOX preempted these two shows and it’s for a pretty good reason. The Simpsons, which is the longest-running prime-time show and one of the most successful shows in the history of television, celebrates its 20-year anniversary and 450th episode tonight with a typical Sunday night episode at 8pm before heading into an hour long special in 3-D.

Krusty takes center stage for the landmark installment when he is approached by two network executives who want to bring on female co-star Princess Penelope (guest voice Anne Hathaway) to increase the show’s female demographic. The onstage and behind-the-scenes rapport between Krusty and Princess Penelope grows, and before long, Krusty asks for his co-star’s hand in marriage in “Once Upon a Time in Springfield.”

Then fans of The Simpsons can expect the milestone episode to cover the history and evolution of the FOX animated series through Academy Award-nominated filmmaker Morgan Spurlock (Super Size Me, 30 Days), who takes on the task of documenting two decades of the pop culture series. Filled with interviews and behind-the-scenes looks, the one-hour special follows Spurlock as he sets off on a cross-country globe-trotting mission to talk to fans of all ages.

Spurlock’s adventure takes him from the home of The Simpsons‘ biggest fan to the organization at the center of The Simpsons‘ biggest controversies to landmarks such as the birthplace of Groundskeeper Willie and the Springfield Isotopes’ playing field.

Spurlock also talks to cast, writers and celebrities about the undying cultural obsession with the show.

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I’ve been holding this interview for almost six months, but I think it was worth it. When I was in Pasadena last summer for the TCA press tour (whose winter edition I’ll be leaving for on Friday morning… eep!), I spoke to Morgan Spurlock about the 20th anniversary film he was making about The Simpsons. FOX has finally decided to air that film, entitled The Simpsons 20th Anniversary Special — In 3-D! On Ice!, on January 10, along with the venerable cartoon’s 450th episode.

Spurlock was just in the initial stages of filming the documentary when I talked to him, but his views on the show, how it and the perception of it has changed over the years, and some of the interesting things he learned about the show made for a fun interview. Since I didn’t know how long the movie was going to be, I start the talk by expressing some surprise about its length.


The movie’s two hours?

It’ll be one hour.

One hour. On a show with such a long history…
How do you tackle 20 years? I cry a lot. I pray a lot. I mean, for us, the way we’re going about it now, I’m trying to look at this as trying to pick and choose moments that were kind of key moments in the show’s history, the effect that it had on our culture, on people, the way that it offended people internationally.

I mean, this is a show that literally was a fantastic…when you look at what’s on television today and you think back then, it’s hard to believe that people were so upset about The Simpsons. And this show that was so fantastically satirical and smart and incisive, but people were offended by this. And not only in the United States, but around the world. So we’re gonna touch on all those. As much as it’s the most loved show, we lose sight of the fact that it really pissed a lot of people off back in the day.

Because Bart said ‘Eat my shorts.’
Eat my shorts, and he’s an underachiever and proud of it, you know.

When you think about, say, who’s writing, who’s on The Simpsons staff now, and realize like how young they were when the show started…
And some of these guys who are on, they say there’s like a couple of guys I think who literally have never lived a day that The Simpsons haven’t been around. I think they’ve got a couple guys that are like in their early 20’s.

Is that difficult for you to wrap your mind around?
Well, it’s amazing… I had this conversation with somebody else, and I said what’s interesting to me is that we can take a step back and look at the world through a prism of a time when The Simpsons didn’t exist, and understand what television was, and what existed on television, The Huxtable world that was there before The Simpsons came along and this idea of embracing a dysfunctional family.

And I think that now there’s people who literally the only prism they’ve been able to see the world through is through the prism of The Simpsons, which I’m fascinated by.

What was one of the better insights you got from one of those younger people who’ve only known a world with The Simpsons? It’s like people who only know the Yankees winning. It’s that kind of thing.
(chuckles) Well, yeah, exactly. I think there’s a fantastic… I don’t know… snarkiness that comes from a lot of… I look at my nieces and nephews, who are literally in that window. Kids who’ve grown up their whole life with The Simpsons. And when we came home from school and turned on the television, we would watch Gilligan’s Island or what was the show… another show that was always on…

Bewitched or something, or I Dream of Jeannie
Bewitched, yeah, something like… Brady Bunch. Always on. Every day. It was on every day on TBS when I would get home. And now, kids come home and the syndicated shows they’re watching are The Simpsons, these shows that have a great point of view, and are very sharp, and very witty.

And I feel kinda cheated. I feel like there’s kids who have a much different sense of humor when they look at the world. I don’t think it’s fed the complacency, but I think it has fed this distrust. There’s a distrust now that I think kids have that I think The Simpsons have helped feed.

Just of like parents, of society, of government?
Of parents, of corporations, of government; like this one thing I think’s at the root of that show is there is this kind of, there’s this distrust of the big behemoth, whatever that big behemoth may be.

Is that healthy, do you think?
I think a little distrust is always healthy. (laughs)

Well, that’s true. I’ve watched enough of your stuff to know that for sure.
Yeah, I think that I’m a believer that people are inherently good, which I also think that that show really embraces, that at the heart of everyone, people are inherently good. But at the same time, you shouldn’t trust everybody.

What do you think motivates Matt Groening, Al Jean, some of the guys who’ve been in the show since the start or almost the start?
Piles of money. (laughs)

Creatively, at a certain point, you just are skating along. But these guys seem to be energized every year.
And I think there’s stuff to always cover. I think the film did a great job of really taking it to another level of really showing that the show was still very relevant, it still had a huge audience impact. I mean, you gotta think, (The Simpsons Movie) is the number one movie in Argentina. It beat Titanic. You know, it’s phenomenal.

But it’s interesting, because the show is much more difficult to put together than a normal sitcom.
It’s nine months… It’s so difficult, and like you look at South Park, where South Park has now gotten it down to where something could be on the news and literally a week later, they have a show about it. I think that for The Simpsons, it still always comes back down to the writing defining something that can have this evergreen quality to it so it’s topical, yet it isn’t like day and date. And I think that they’ve done a great job of really being consistent that way.

How much of the show will you go back and watch for this movie?
By the time we are finished, I will have watched every episode. All 440 multiple times. And like right now, I’m about halfway done.

In these “later years” that long-time fans maybe aren’t as appreciative of, how loyal of a watcher are you?
Oh, I mean, I think after I got out of college, and once life started, it was one of those things where it wasn’t destination TV for me anymore. So I probably dropped off around season five or six. And it was one of those things where if I would be home and there, I would watch it. But I wasn’t like pushing to go see it.

So have you re-examined some of the later episodes at this point?
Yeah, I mean, I’ve started…I mean, we’ve piecemealed stuff together. Especially like international ones that we’re trying to find stuff from to watch. And I still think that it’s strong. The people who say that the show’s gone downhill or the show’s falling, I don’t agree with that.

Was it surprising that they had strong episodes?
No, I don’t think it’s surprising. I think that when you look at the pedigree of the show, I think that of course they had strong episodes.

Is this maybe a case similar to Saturday Night Live, where people remember the era where they grew up watching the show and that’s their favorite?
I think that’s part of it, but the difference with Saturday Night Live is there’s different people who come in. There’s a revolving door of new characters, of new bits. You know, it’s like, if Chevy Chase was still there falling down stairs, you know, we probably would be kinda tired of it. But the thing that’s kept Saturday Night Live interesting and exciting is a new cast every four or five years.

With The Simpsons, I think that what’s consistently kept it sharp is new writers coming in and out of that circle. So it’s people who’ve been inspired by the show, who’ve kind of learned from the show, who come in with brand new ideas of, well what if we tried this? And I think that’s kind of kept this fire going.

What’s the oddest looking international version you’ve seen?
The oddest international version? Well there was this great Saudi Arabian… it wasn’t Saudi Arabian, but it was a middle eastern rip-off called The Sansooms… Shanshoon… I can’t even remember what the name of it is now. But they did this middle eastern version of The Simpsons, which is spectacular.

And all the characters are different?
All the characters are different.

And Marge is wearing a burqa?
(laughs) Yeah, pretty much. It’s amazing though. Yeah, very much set in a middle eastern home.

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David Beckham was denied the chance to get animated for “The Simpsons” – after TV producers deemed the soccer star wasn’t famous enough for American audiences. The sports ace, who plays for the U.S. club Los Angeles Galaxy, was in talks to appear as a yellow character on the long-running cartoon but executive producer Al Jean eventually snubbed him after deciding the cameo wouldn’t work.


Jean explains, “I had to phone David Beckham to tell him sorry. I didn’t think he was a big enough star for an American audience. I get a lot of grief about that. Some people got angry about it and told me, ‘I bet you would have put (former professional soccer star) George Best on!’ But I would have turned him down too.”

David Beckham has moved from U.K to U.S after in January 2007, it was announced that he would leave Real Madrid and signed a five-year contract with Los Angeles Galaxy. The football player and his family including wife Victoria Adams then moved move to Beverly Hills neighborhood.

Online Episodes: Watch or buy any previous The Simpsons episodes you may have missed by clicking here.

 

  • This news article provided by (c) World Entertainment News Network 
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You can always count on The Simpsons for a timely reference. Why it was only back in 1997 that Mitch Albom’s Tuesdays with Morrie book came out, so it’s high time we riff on it. Wait, that TV movie with Hank Azaria they referenced? That’s more recent. 1999 recent!

449 episodes later, The Simpsons may no longer be the source for the most cutting edge humor, but at least they’ve reclaimed a lot of the heart this season that was missing early on. Next week is the big 450th episode celebration, which not-so-coincidentally is the week FOX has opted to celebrate officially the 20th anniversary of the stalwart comedy.

For those tired of Seth MacFarlane dominating the Sunday lineup, next week, it’s a reversal of fortunes, as The Simpsons is joined by an hour-long special and the only MacFarlane show to make the grade is his own version of a “traditional” family sitcom: The Cleveland Show.

But before we could get there, Homer had to learn to appreciate his father’s rambling and nonsensical stories. Do you think Mitch Albom tried to kill Morrie the way this newspaper reporter intended to kill Abe? They did throw in a nice nod to Albom, who played himself in the episode, by having the old people slowly throw him out of the nursing home when he tried to horn in on the new guy’s territory.

I didn’t find the episode particularly funny, but I appreciated that The Simpsons did bring a bit of that emotion back to the character’s relations. Leave the endless sight-gags and nonsense to Family Guy and its ilk. The Simpsons are a family of genuine love and the show works best when we see that.

Bart learned the importance of love when he discovered that Nelson truly loved the Larry the Lamb doll he was supposed to have taken care of and watched over the weekend. His adventures in the sewer were a little anticlimactic, and we never got any real resolution on that storyline. In fact, I’ve noticed The Simpsons seems to be biting off more than they can chew more and more these days.

It seems, for example, the episode opens with scenes that could pull you in a few different directions for the episode story, before finally settling in. This week’s was the whole bit about how sad the octopus looked at the water park. That could have easily led into a Lisa-centric episode, but instead took potential time away from the Bart story.

Or better yet, we could have gotten a little more time with Mr. Burns telling his life stories to Homer Simpsons. Now those would be some tales I’d pay to read in a book. Burns isn’t getting nearly enough screen-time this season. Don’t they realize he’s one of their best characters. Instead we got Agnes Skinner wandering by when the kids talked about Larry. How random is that?

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[EDITOR'S NOTE: FAMILY GUY and AMERICAN DAD are preempted this night.]

**450TH EPISODE**-”THE SIMPSONS“-(8:00-8:30 PM ET/PT) CC-HDTV 720p-Dolby Digital 5.1

KRUSTY FALLS HEAD OVER HEELS FOR A PRINCESS IN THE MILESTONE 450TH EPISODE OF “THE SIMPSONS” SUNDAY, JANUARY 10, ON FOX

Anne Hathaway, Jackie Mason and the Late Eartha Kitt Guest-Voice

In the landmark 450th episode of THE SIMPSONS, Krusty is approached by two network executives who want to bring on female co-star Princess Penelope (guest voice Hathaway) to increase the show’s female demographic. The onstage and behind-the-scenes rapport between Krusty and Princess Penelope grows, and before long, Krusty asks for his co-star’s hand in marriage. Meanwhile, when Mr. Burns puts a stop to the free donuts at the plant to cut costs, Homer, Lenny and Carl decide to meet with a headhunter who specializes in nuclear workers and opens their eyes to opportunities free of draconian donut-cutting measures in the all-new “Once Upon a Time in Springfield” episode of THE SIMPSONS airing Sunday, Jan 10 (8:00-8:30 PM ET/PT) on FOX. (SI-2020) (TV-PG D, L, V)

Voice Cast: Dan Castellaneta as Homer Simpson; Julie Kavner as Marge Simpson; Nancy Cartwright as Bart Simpson; Yeardley Smith as Lisa Simpson; Hank Azaria as Moe; Harry Shearer as Skinner; Pamela Haden as Milhouse; Tress MacNeille as Dolph

Guest Voice Cast: Anne Hathaway as Princess Penelope; Jackie Mason as Rabbi Krustofsky; Eartha Kitt as Herself.

Also don’t forget to check out the Simpsons Store for all things Simpsons.


 

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Check out a first look of the 450th episode of The Simpsons Season 21 Episode 10 “Once Upon a Time in Springfield” airing Sunday January 10 (8:00-8:30 PM ET/PT) on FOX.

THE SIMPSONS “Once Upon a Time in Springfield” Season 21 Episode 10 – In the landmark 450th episode of THE SIMPSONS, the onstage and behind-the-scenes rapport between Krusty and his new female sidekick Princess Penelope (guest voice Anne Hathaway) grows in the all-new “Once Upon a Time in Springfield” episode of THE SIMPSONS airing Sunday, Jan. 10 (8:00-8:30 PM ET/PT) on FOX.

Also catch up with every The Simpsons episode by clicking here.

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