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The Simpsons TV Show is a full-length animated Christmas special in 1989, The Simpsons went on to become one of the most daring network television series of the 1990s, skewering pop culture, politics, and society in general at every opportunity. Anchored by the tales of its five-member, four-fingered, dysfunctional nuclear family, the series grew to provide more and more story lines for its wealth of rich supporting characters.

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Episode: 6

First Aired: 11/16/2008

Prod Code: KABF19

Lisa discovers she has an impressive knack for solving crossword puzzles and she enters in a city-wide crossword tournament. Feelings are hurt though when Homer bets against Lisa in the championship match.

Stars:

Hank Azaria (Apu Nahasapeemapetilon, Moe Szyslak, Chief Wiggum, Comic Book Guy, Lou, and others)

Yeardley Smith (Lisa Simpson)

Harry Shearer (Mr. Burns, Ned Flanders, Principal Skinner, Waylon Smithers, Kent Brockman, and others)

Julie Kavner (Marge Simpson, Patty Bouvier, and Selma Bouvier)

Dan Castellaneta (Homer Simpson, Grampa Simpson, Barney Gumble, Krusty the Clown, Groundskeeper Willie, and others)

Nancy Cartwright (Bart Simpson, Nelson Muntz, Ralph Wiggum, Todd Flanders, and others)

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Distributor- FOX

Genre- Animation, Comedy

Show Period- 1989 - 2008

Production Company- FOX, Gracie Films, Film Roman Productions

Cast and Crew

Main Cast

• Dan Castellaneta
  
• Julie Kavner
  
• Nancy Cartwright
  
• Yeardley Smith
  
• Harry Shearer
  
• Hank Azaria
  
• Pamela Hayden
  
• Tress MacNeille
  
• Karl Wiedergott
  

Additional Cast

• Doris Grau
  

Synopsis

The Simpson family visits a cabin in the woods where a series of flashbacks depict Homer and Marge during their early married years while Bart and Lisa also remember times from their early childhood.

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Fox has released a promo image for new episode ‘Double, Double, Boy In Trouble’, which airs October 19.

TV Info

Episode Premiere- October 12, 2008

Distributor- FOX

Genre- Animation, Comedy

Show Period- 1989 - 2008

Production Company- FOX, Gracie Films, Film Roman Productions

Cast and Crew

Screenwriter- Bill Odenkirk

Main Cast

• Dan Castellaneta
  
• Julie Kavner
  
• Nancy Cartwright
  
• Yeardley Smith
  
• Harry Shearer
  
• Hank Azaria
  
• Pamela Hayden
  
• Tress MacNeille
  
• Karl Wiedergott
  

Additional Cast

• Joe Montana
  

Synopsis

When Lenny wins the lottery and invites the Simpson family to a celebratory party at a posh hotel, Bart meets his doppelganger, Simon Woosterfield, who happens to be a member of the richest family in Springfield. Simon and Bart decide to switch places, and Bart arrives at the lavish Woosterfield mansion only to find football great Joe Montana (guest-voicing as himself) hanging around the estate. As Simon adjusts to the simple life over at the Simpson household, Bart begins to notice his wealthy new siblings acting strangely toward him. With some frightening words of wisdom from Mr. Burns, Bart realizes his new siblings are plotting his demise so they can inherit the Woosterfield family fortune all for themselves. Lisa and Simon must reach Bart before he goes from riches to ditches.

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Fox has released a promo image for new episode ‘Double, Double, Boy In Trouble’, which airs October 19.

TV Info

Episode Premiere- October 12, 2008

Distributor- FOX

Genre- Animation, Comedy

Show Period- 1989 - 2008

Production Company- FOX, Gracie Films, Film Roman Productions

Cast and Crew

Screenwriter- Bill Odenkirk

Main Cast

• Dan Castellaneta
  
• Julie Kavner
  
• Nancy Cartwright
  
• Yeardley Smith
  
• Harry Shearer
  
• Hank Azaria
  
• Pamela Hayden
  
• Tress MacNeille
  
• Karl Wiedergott
  

Additional Cast

• Joe Montana
  

Synopsis

When Lenny wins the lottery and invites the Simpson family to a celebratory party at a posh hotel, Bart meets his doppelganger, Simon Woosterfield, who happens to be a member of the richest family in Springfield. Simon and Bart decide to switch places, and Bart arrives at the lavish Woosterfield mansion only to find football great Joe Montana (guest-voicing as himself) hanging around the estate. As Simon adjusts to the simple life over at the Simpson household, Bart begins to notice his wealthy new siblings acting strangely toward him. With some frightening words of wisdom from Mr. Burns, Bart realizes his new siblings are plotting his demise so they can inherit the Woosterfield family fortune all for themselves. Lisa and Simon must reach Bart before he goes from riches to ditches.

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The writing staff keeps track of the longevity milestones, executive producer Al Jean says, but creator Matt Groening only cops to one record for the iconic Springfield family, its friends and neighbors. “I think we’ve used more yellow paint than any other TV show,” he says.

Both believe the show is still performing strongly despite recording 445 episodes, including a season premiere that has Homer and neighbor Ned Flanders teaming as bounty hunters and Marge Simpson unwittingly going to work at an erotic bakery. “The writers and animators continue to amaze me,” Groening says.

He has proof of the show’s staying power, too: its 10th Emmy for outstanding animated series, bestowed this month.

“Every time we get an Emmy, it buys us a couple more years” on the air, Groening says. “That gives us one year to wreck the show and one year to run it into the ground.”

Actually, they probably have more time for demolition, if they so choose, with the voice actors signed for four years, including the one that starts this weekend. That would put the show over the 500-episode mark, leaving it trailing only Dillon’s “Gunsmoke” (633) and “Lassie” (588) for the most episodes of an

Other evidence of “The Simpsons”‘ continued vitality includes “The Simpsons Movie,” which took in $526 million worldwide, and The Simpsons Ride, which opened this year at Universal theme parks in California and Florida.

Jean says there will be a movie sequel, but there are no plans yet and it probably wouldn’t happen until the TV show ends production.

Asked for a favorite “Simpsons” moment, Groening chooses slapstick over satiric, each a show specialty.

“There’s an episode from a few years ago in which Homer tries to kill a spider in his garage and ends up getting his neck smashed repeatedly by the automatic garage-door opener. It’s just an exquisite little piece of mayhem,” he says.

His rare disappointment comes when he feels a gag or concept contradicts the history of the show, “such as when we found out that Principal Skinner was really an imposter.”

If the show seems to be more political these days, Jean says that it’s just reflecting a more politicized “us vs. them” society of recent years.

Even though production begins nearly a year before broadcast, some upcoming shows are timely. When the Simpson house is foreclosed, neighbor Ned Flanders buys it back and rents it to Homer.

“Things turn nasty,” Groening says.

In another, when Bart befriends a Muslim boy, Homer suspects the boy’s family of organizing a terrorist plot. In a segment of “Treehouse of Horror XIX” (Nov. 2), the annual Halloween trilogy, Homer tries to vote for Barack Obama, but the machine keeps casting ballots before attacking him. That episode also features “It’s a Grand Pumpkin, Milhouse.”

After such a long time, Groening says a major show challenge is to avoid repeating itself, as sometimes happens. He disagrees with critics who question the quality of the show as it ages.

“We’ve had our ups and downs, but it seems like most people who say the show has gone downhill don’t watch it,” he says. “The latest episodes are as clever, complicated, sophisticated and wild as any we have ever done.”

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In this week’s episode of The Simpsons, Homer embarks on another Wacky Temp Job. Will it be boom or bust for his tow truck driving operation? Find out in “Midnight Towboy”.

Kredit Kookies:
Chalkboard Gag: None. Couch Gag: In live action footage, OFF are constructed by hand out of Leggos.

We open in the Casa Simpson at nightfall. Marge is busy trying to put Maggie into her crib, but the child simply won’t be released. None of the usual bedtime routines work, and it doesn’t help that Homer, Lisa and Milhouse are having a toga party (?!) downstairs.

Marge carries the fussy baby downstairs and hands her off to Homer so that she can make up a bottle – Maggie wants nothing to do with Homer, however, and she throws herself through the distance and into her mother’s arms . This results in Marge dumping an entire bottle of milk onto the floor which Homer – no, I’m not joking – cries over.

Homer heads out to snag a fresh bottle of milk. The Kwik-E-Mart is devoid of the substance, as there’s a rumor circulating among the teenaged set that milk, combined with Mentos and lottery ticket scratchings, make jet pack fuel. Homer rushes off to Moe’s, where he’s offered a glass of what could be paint or milk (Homer doesn’t figure out it’s paint til he’s consumed half the glass).

Back at the Casa De Simpson, Bart and Lisa try to help Marge use the internet. Marge’s ineptitude results in Bart taking control – he finds an organization calling itself “Creative Responses For Infant Edu-loving” (C.R.I.E – yes). Marge sends along an email requesting help, hoping they’ll make Maggie less clingy.

Meanwhile, Homer has journeyed on through Shelbyville and Ogdenville, both of which are “dry counties”. He ends up following a milk truck into Guidopolis. Homer ends up at the Mook-E-Mart, parking in the lot of the neighboring bank – he purchases the milk, but ends up getting towed for his troubles.

The driver, Louie, decides to take pity on Homer and gives him a lift to the impound lot. Small talk leads to Homer becoming enamored of Louie’s free-and-easy lifestyle; Louie notes Homer’s fascination and offers to help get him started for five hundred dollars. Of course, there’s a condition – Homer has to tow solely within Springfield city limits. He blithely agrees to this, and soon becomes a driver for his hometown.

Meanwhile, Marge meets with a representative from C.R.I.E. The rules of the method are simplistic – Marge simply must leave Maggie alone and let her cry. Marge tries it – Maggie sobs. Informed that “hugs are drugs, and your daughter is addicted,” she shoves the councilor away and rushes in to check on Maggie, only to find her daughter happily playing alone with her building blocks.

Homer, meanwhile, is towing everything in sight. Making a mint doing this, he treats everyone at Moe’s to “lobster-politans,” then adds Lenny’s car to the impound lot that is the Simpsons’ front yard, which soon includes Ned Flander’s Sunday school bus, complete with a fleet of children. Needless to say, his fellow citizens are furious and soon plot to have him done away with.

Maggie, now independent enough to swing herself into her high chair and get her own breakfast, has succeeded in making Marge feel useless. She’s even working away on completing her baby book! Marge, in desperation, turns a sack of potatoes into a substitute baby.

Homer’s mob abandons a car in Guidopolis, making it positively irresistible to a tow and cloaking the city limit signs to convince Homer he’s still in Springfield. He’s quickly caught by Louie, who knocks him unconscious with a wrench and tows Homer (literally) to his place.

Louie dumps Homer in his basement, where he discovers that his so-called-friend is “impounding” other tow truck drivers who’ve crossed Louie’s line.

Springfield, meanwhile, discovers that life minus a tow truck service equals complete chaos. They all want Homer back, but he’s still locked in Louie’s basement, entertaining his fellow captives by regaling them with such stories as “Shrek 3.”

Back at the Casa De Simpson, Bart and Milhouse are busy cutting “dirty” words like Leviticus out of the Bible, declaring they can say them any time they want to! They’re in the Bible! This causes Marge to lament the loss of Homer’s positive influence and worry about his safety.

Maggie picks up on Marge’s stress, and she rides off atop Santa’s Little Helper’s back to track her father down. They do indeed find Homer thanks to SLH’s tracking ability, and thanks to Maggie’s general ingenuity all of the drivers are rescued.

Back at the Casa De Simpson, Marge is relieved to have her husband back. She informs Maggie that she’s moved on and “doesn’t need” the relationship they once had, but a jealous Maggie socks the sack of tubers and reaches out for a hug. Mother and daughter reunited, we cut to closing credits.

Red Dress Press: Another episode in which a cloud of ‘been there, done that’ settles over the proceedings, “Midnight Towboy” doesn’t improve on re-watching.

The main plot is reminiscent of Homer’s time as a food critic and follows a predictable path of all of his Wacky Job Episodes, in that he begins successfully, quickly becomes mad with power and then is forcibly removed from his position. “He Loves to Fly and He D’Ohs” did a much better job with a similar premise and actually managed to be heartwarming to boot.

The sub-plot, meanwhile, cops out easily and portrays Marge as a mother who cannot handle the idea of her children becoming fully independent. It’s a premise re-visited in her clingy overparenting in “Smoke on the Daughter”. Maggie has always been portrayed as intelligent and tough-minded – one only needs to see The Simpsons Movie or A Streetcar Named Marge to witness her ingenuity. While she’s always extremely close to Marge, she’s never had a problem being separated from her for an amount of time. I know it’s a plot contrivance, but her suddenly becoming dependent on Marge is a twist that comes out of nowhere and feels jarring compared to what we know of Maggie as a character.

The general tenor of “Midnight Towboy” is redolent of simplistic, groan-inducing humor, but a few bright spots pop up. Marge’s ineffective attempt at using the internet is the best joke in the entire episode, with a few chuckles thrown in at Homer’s retelling summer blockbusters as bedtime stories.

Did It Fail at Masonry: A “meh” episode that doesn’t demand repeat viewing but is mildly amusing, “Midnight Towboy” is worth catching once - but not worth tracking down, and certainly not worth skipping other programs for.

What The Screwballs Think: The episode garnered a 7.7, down from Homer of Seville’s 8.4.

Springfield Shopper: This is a Krusty’s Klassik Rekap of a Season Nineteen episode. Keep your eyes peeled for “I Don’t Wanna Know Why The Caged Bird Sings,” coming to the website very soon.

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- FOX

Trilogy of Error

Along the way, Homer stops at Moe’s for more ice for his thumb, gets sidetracked, loses Marge, hitches a ride from Cletus to find that Dr. Nick’s office is on fire, starts to walk to Shelbyville and then has Linguo’s head land at his feet after a distant explosion. To say a lot happens is putting it mildly. The first act runs at a very accelerated speed that is a bit off-putting at first. But once you settle in to the pace, you find yourself simply enjoying the jokes that are whizzing past you. Better still, the first story presents a number of interesting questions (Why is Dr. Nick’s on fire? What caused Linguo to explode?) making the following acts all the more entertaining.

Lisa’s story, following her as she tries to get to school with her science project, makes early reference to Run, Lola, Run. Later, she catches a ride in Krusty’s limo– driven by Mr. Teeny, of course– but unfortunately ends up at West Springfield Elementary. Her time spent there is the least interesting part of the episode. She meets a fellow nerd named Thelonious– voiced by the then popular Frankie Muniz– and falls briefly in love. But it’s a boring detour as she’s soon back on the run. After finding her mom and stealing Cletus’ truck, Marge and Lisa end act two by almost hitting Bart who is climbing out of a manhole.

The final act puts everything together. Bart goes with Milhouse to a cave housing sacks of fireworks. After getting picked up by the police– at 123 Fake Street, where Marge had sent the cops to avoid being arrested for attempted murder– Wiggum sets the boys up with a wire in an effort to catch Fat Tony. The plan goes awry, and Bart and Milhouse escape the mobster by running through the cave and up the manhole. The mobsters chase the boys into an alley, but Marge throws Linguo into the mix. The robot overheats with the bad mobster grammar (”Shut up-a you face!”) and Linguo’s sparks set off a sack of fireworks, sending his head to Homer’s feet.

It all comes together with Legs, an accomplished mob doctor, reattaching Homer’s thumb as Lisa’s science project helping her win first place. In the classroom, Mr. Teeny arrives claiming that, “This plot made no sense!” But I feel enough of the intertwining plots do make sense for this to be one extremely enjoyable misadventure. The Simpsons may have peaked in the ’90s, but that doesn’t mean the eight years since haven’t delivered their share of quality episodes. This was one of them. And with so much plot to go over in this review, there just wasn’t enough room to reference all the great lines. Like Dr. Nick’s, “Inflammable means flammable?!” and Cletus’ reference to “TV magic queers.” Of course, there’s plenty of room in the comments section below for you to share your favorite lines.

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The best thing about the show is that it provides a healthy comedy for all. For sure this show deserves to be on the top. The wonderful characters, and excellent color scheme and characters have been painted to fit in every time zone, whether it’s 80’s or this in the contemporary.

One of my cousins is great fan of the show and he will definitely put some comments after hearing the news. He is watching this show from the times when he was in school in 1990. Now it has been more than seventeen years, the show is still that popular as it was at that time. Sometimes I tease him by calling a kid whenever he comes to my place and snatches remote from my hands to watch the show. But I never tell him I am too very fond of the show. The fun I find in this show can’t be found in any other comedy series meant for mature people. A kid is hidden in everyone.

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